Crapula

Humour is central once more in Hudson’s chalkboard drawings. He sketches the loos of public art  institutions onto Victorian chalkboards. For Hudson, the boards represent established British education  and knowledge, only to be defaced by an equally British lavatory humour. Undermining stiff class  structures, Hudson relishes in the levelling fact that no matter what their standing, everyone ends up in  the same public toilet.

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